{"title":"Zora Neal Hurston","description":"","products":[{"product_id":"barracoon-the-story-of-the-last-black-cargo","title":"Barracoon: The Story of the Last Black Cargo","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eOne of the New York Times' Most Memorable Literary Moments of the Last 25 Years! \u003c\/em\u003e - \u003cem\u003eNew York Times\u003c\/em\u003e Bestseller - \u003cem\u003eTIME M\u003c\/em\u003eagazine\u003cem\u003e's\u003c\/em\u003e Best Nonfiction Book of 2018 - New York Public Library's Best Book of 2018 - NPR's Book Concierge Best Book of 2018 - \u003cem\u003eEconomist \u003c\/em\u003eBook of the Year - SELF.com's Best Books of 2018 - Audible's Best of the Year - BookRiot's Best Audio Books of 2018 - The Atlantic's Books Briefing: History, Reconsidered - Atlanta Journal Constitution, Best Southern Books 2018 - The Christian Science Monitor's Best Books 2018 - \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\"A profound impact on Hurston's literary legacy.\"--\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\"One of the greatest writers of our time.\"--Toni Morrison\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\"Zora Neale Hurston's genius has once again produced a \u003cem\u003eMaestrapiece\u003c\/em\u003e.\"--Alice Walker\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA major literary event: a newly published work from the author of the American classic \u003cem\u003eTheir Eyes Were Watching God, \u003c\/em\u003ewith a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade--abducted from Africa on the last \"Black Cargo\" ship to arrive in the United States.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.\u003c\/p\u003e\u003cp\u003eIn 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the \u003cem\u003eClotilda\u003c\/em\u003e, and the years he spent in slavery until the end of the Civil War.\u003c\/p\u003e\u003cp\u003eBased on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, \u003cem\u003eBarracoon\u003c\/em\u003e masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.\u003c\/p\u003e","brand":"Amistad Press","offers":[{"title":"Default Title","offer_id":51259163083037,"sku":"9780062748218","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_908dcfdf-d351-4911-8627-fb9a82614698.jpg?v=1778164719"},{"product_id":"barracoon-the-story-of-the-last-black-cargo-1","title":"Barracoon: The Story of the Last Black Cargo","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eOne of the New York Times' Most Memorable Literary Moments of the Last 25 Years! \u003c\/em\u003e - \u003cem\u003eNew York Times\u003c\/em\u003e Bestseller - \u003cem\u003eTIME M\u003c\/em\u003eagazine\u003cem\u003e's\u003c\/em\u003e Best Nonfiction Book of 2018 - New York Public Library's Best Book of 2018 - NPR's Book Concierge Best Book of 2018 - \u003cem\u003eEconomist \u003c\/em\u003eBook of the Year - SELF.com's Best Books of 2018 - Audible's Best of the Year - BookRiot's Best Audio Books of 2018 - The Atlantic's Books Briefing: History, Reconsidered - Atlanta Journal Constitution, Best Southern Books 2018 - The Christian Science Monitor's Best Books 2018 - \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\"A profound impact on Hurston's literary legacy.\"--\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\"One of the greatest writers of our time.\"--Toni Morrison\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\"Zora Neale Hurston's genius has once again produced a \u003cem\u003eMaestrapiece\u003c\/em\u003e.\"--Alice Walker\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA major literary event: a newly published work from the author of the American classic \u003cem\u003eTheir Eyes Were Watching God, \u003c\/em\u003ewith a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade--abducted from Africa on the last \"Black Cargo\" ship to arrive in the United States.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.\u003c\/p\u003e\u003cp\u003eIn 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the \u003cem\u003eClotilda\u003c\/em\u003e, and the years he spent in slavery until the end of the Civil War.\u003c\/p\u003e\u003cp\u003eBased on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, \u003cem\u003eBarracoon\u003c\/em\u003e masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.\u003c\/p\u003e","brand":"Amistad Press","offers":[{"title":"Default Title","offer_id":51378662834461,"sku":"9780062748201","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_5bc65043-e2e7-40e2-a3c9-cc4992de78b1.jpg?v=1779706610"},{"product_id":"the-new-negro-a-history-in-documents-1887-1937","title":"The New Negro: A History in Documents, 1887-1937","description":"\u003cp\u003e\u003cb\u003eAn authoritative anthology tracing the history of one of the most important concepts Black people drew on to challenge the brutal, totalizing system of Jim Crow racism\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThis book brings together a wealth of readings on the metaphor of the \"New Negro,\" charting how generations of thinkers debated its meaning and seized on its potency to stake out an astonishingly broad and sometimes contradictory range of ideological positions. It features dozens of newly unearthed pieces by major figures such as W. E. B. Du Bois, Charles S. Johnson, and Drusilla Dunjee Houston as well as writings from Cuba, the US Virgin Islands, Dominica, France, Sierra Leone, South Africa, colonial Zimbabwe, and the United States. Demonstrating how this evocative and supremely protean concept predates its popularization in Alain Locke's 1925 anthology of the same name, \u003ci\u003eThe New Negro\u003c\/i\u003e takes readers from its beginnings as a response to Henry Grady's famous \"New South\" address in 1886 through the Harlem Renaissance and the New Deal. \u003cp\u003e\u003c\/p\u003eOpening a fascinating window into a largely unexplored chapter in African American, Afro-Latin American, and African intellectual history, this groundbreaking anthology includes writings by Gwendolyn Bennett, Marita Bonner, John Edward Bruce (\"Bruce Grit\"), Nannie Helen Burroughs, Charles W. 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Here, he returns with an intellectual and at times deeply personal meditation on the hard-fought evolution and the very meaning of African American identity, calling upon our country to transcend its manufactured divisions.\" -- Isabel Wilkerson, \u003cb\u003eauthor of \u003ci\u003eThe Warmth of Other Suns \u003c\/i\u003eand \u003ci\u003eCaste\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\"This is a literary history of Black America, but it is also an argument that African American history is inextricable from the history of African American literature.\" \u003cbr\u003e\u003cb\u003e--\u003ci\u003eThe New York Times\u003c\/i\u003e \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003eA magnificent, foundational reckoning with how Black Americans have used the written word to define and redefine themselves, in resistance to the lies of racism and often in heated disagreement with one another, over the course of the country's history\u003cbr\u003e\u003cbr\u003eDistilled over many years from Henry Louis Gates, Jr.'s, legendary Harvard introductory course in African American studies, \u003ci\u003eThe Black Box: Writing the Race\u003c\/i\u003e, is the story of Black self-deﬁnition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W. E. B. Du Bois and Booker T. Washington to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison--these writers used words to create a livable world, a home, for Black people destined to live out their lives in a bitterly racist society. \u003cp\u003e\u003c\/p\u003eIt is a book grounded in the beautiful irony that a group formed legally and conceptually by its oppressors to justify brutal subhuman bondage transformed itself \u003ci\u003ethrough the word\u003c\/i\u003e into a community joined in overcoming one of history's most pernicious lies. Out of that contested ground has ﬂowered a resilient, creative, powerful, diverse culture of people who have often disagreed markedly about what it means to be Black, and about how best to use the past to create a more just and equitable future. \u003cp\u003e\u003c\/p\u003eThis is the epic story of how, through essays and speeches, novels, plays, and poems, a long line of creative thinkers has unveiled the contours of--and resisted conﬁnement in--the black box inside which this nation within a nation has been assigned, willy-nilly, from the nation's founding through to today. This is a book that records the compelling saga of the creation of a people.","brand":"Penguin Publishing Group","offers":[{"title":"Default Title","offer_id":51850179543325,"sku":"9780593299807","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_cee090a4-5daf-41fc-bbbe-2c48910667f2.jpg?v=1780709549"},{"product_id":"the-new-negro-a-history-in-documents-1887-1938","title":"The New Negro: A History in Documents, 1887-1937","description":"\u003cp\u003e\u003cb\u003eAn authoritative anthology tracing the history of one of the most important concepts Black people drew on to challenge the brutal, totalizing system of Jim Crow racism\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThis book brings together a wealth of readings on the metaphor of the \"New Negro,\" charting how generations of thinkers debated its meaning and seized on its potency to stake out an astonishingly broad and sometimes contradictory range of ideological positions. It features dozens of newly unearthed pieces by major figures such as W. E. B. Du Bois, Charles S. Johnson, and Drusilla Dunjee Houston as well as writings from Cuba, the US Virgin Islands, Dominica, France, Sierra Leone, South Africa, colonial Zimbabwe, and the United States. Demonstrating how this evocative and supremely protean concept predates its popularization in Alain Locke's 1925 anthology of the same name, \u003ci\u003eThe New Negro\u003c\/i\u003e takes readers from its beginnings as a response to Henry Grady's famous \"New South\" address in 1886 through the Harlem Renaissance and the New Deal. \u003cp\u003e\u003c\/p\u003eOpening a fascinating window into a largely unexplored chapter in African American, Afro-Latin American, and African intellectual history, this groundbreaking anthology includes writings by Gwendolyn Bennett, Marita Bonner, John Edward Bruce (\"Bruce Grit\"), Nannie Helen Burroughs, Charles W. Chesnutt, James Bertram Clarke (\"José Clarana,\" \"Jaime Gil\"), Anna Julia Cooper, Alexander Crummell, Countee Cullen, Alice Dunbar-Nelson, Marcus Garvey, Hubert Harrison, Langston Hughes, Zora Neale Hurston, D. Hamilton Jackson, Fenton Johnson, Claude McKay, Oscar Micheaux, Jeanne \"Jane\" Nardal, Jean Toomer, Gustavo Urrutia, Booker T. Washington, Dorothy West, Ruth Whitehead Whaley, Fannie Barrier Williams, Carter G. 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Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston's writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people's inner lives and culture rather than destroying it. She argues that in the process of surviving, Black people re-interpreted every aspect of American culture--\"modif[ying] the language, mode of food preparation, practice of medicine, and most certainly religion.\"\u003cem\u003e \u003c\/em\u003eWhite supremacy prevents the world from seeing or completely recognizing Black people in their full humanity and Hurston made it her job to lift the veil and reveal the heart and soul of the race. These pages reflect Hurston as the controversial figure she was--someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. Also covered is the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing her lover, a white doctor.\u003c\/p\u003e\u003cp\u003eDemonstrating the breadth of this revered and influential writer's work, \u003cem\u003eYou Don't Know Us Negroes and Other Essays\u003c\/em\u003e is an invaluable chronicle of a writer's development and a window into her world and mind.\u003c\/p\u003e","brand":"Amistad Press","offers":[{"title":"Default Title","offer_id":51850179903773,"sku":"9780063043855","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_37f24f20-3627-4781-9249-bb72f36da10a.jpg?v=1780709563"},{"product_id":"you-dont-know-us-negroes-and-other-essays-2","title":"You Don't Know Us Negroes and Other Essays","description":"\u003cp\u003e\u003cstrong\u003eA MOST ANTICIPATED BOOK FROM: \u003cem\u003eOprah Daily\u003c\/em\u003e, \u003cem\u003eBusiness Insider\u003c\/em\u003e, \u003cem\u003eMarie Claire, The Seattle Times\u003c\/em\u003e, \u003cem\u003eLit Hub\u003c\/em\u003e, \u003cem\u003eBustle\u003c\/em\u003e, and \u003cem\u003eNew York Magazine's Vulture\u003c\/em\u003e \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIntroduction by \u003cem\u003eNew York Times\u003c\/em\u003e bestselling author Henry Louis Gates Jr. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\"One of the greatest writers of our time.\"--Toni Morrison\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eYou Don't Know Us Negroes \u003c\/em\u003eis the quintessential gathering of provocative essays from one of the world's most celebrated writers, Zora Neale Hurston. 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These pages reflect Hurston as the controversial figure she was--someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. 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Here, he returns with an intellectual and at times deeply personal meditation on the hard-fought evolution and the very meaning of African American identity, calling upon our country to transcend its manufactured divisions.\" -- Isabel Wilkerson, \u003cb\u003eauthor of \u003ci\u003eThe Warmth of Other Suns \u003c\/i\u003eand \u003ci\u003eCaste\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\"This is a literary history of Black America, but it is also an argument that African American history is inextricable from the history of African American literature.\" \u003cbr\u003e\u003cb\u003e--\u003ci\u003eThe New York Times\u003c\/i\u003e \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003eA magnificent, foundational reckoning with how Black Americans have used the written word to define and redefine themselves, in resistance to the lies of racism and often in heated disagreement with one another, over the course of the country's history\u003cbr\u003e\u003cbr\u003eDistilled over many years from Henry Louis Gates, Jr.'s, legendary Harvard introductory course in African American studies, \u003ci\u003eThe Black Box: Writing the Race\u003c\/i\u003e, is the story of Black self-deﬁnition in America through the prism of the writers who have led the way. 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Scholar-Editor Deborah Plant's \"Commentary: A Story Finally Told\" assesses Hurston's pioneering work and underscores Hurston's perspective that the first century BCE has much to teach us and that the lens through which to view this dramatic and stirring era is the life and times of Herod the Great.\u003c\/p\u003e","brand":"Amistad Press","offers":[{"title":"Default Title","offer_id":51938278474013,"sku":"9780063161016","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_9b737480-620c-459b-9c9d-7d1231c67524.jpg?v=1782770582"},{"product_id":"their-eyes-were-watching-god-american-classics-edition","title":"Their Eyes Were Watching God American Classics Edition","description":"\u003cp\u003e\u003cb\u003e\"A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don't know how to live properly.\" ―Zadie Smith\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe beloved Zora Neale Hurston Classic―a PBS Great American Read Top 100 Pick―now available as a HarperCollins American Classic in celebration of America's 250th anniversary.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eOriginally published in 1937, \u003ci\u003eTheir Eyes Were Watching God\u003c\/i\u003e has become one of the most important and enduring works of modern American literature. 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In Hurston's retelling, Herod is not the wicked ruler of the New Testament who is charged with the \"slaughter of the innocents,\" but a forerunner of Christ--a beloved king who enriched Jewish culture and brought prosperity and peace to Judea.\u003c\/p\u003e\u003cp\u003eFrom the peaks of triumph to the depths of human misery, the historical Herod \"appears to have been singled out and especially endowed to attract the lightning of fate,\" Hurston writes. An intimate of both Marc Antony and Julius Caesar, the Judean king lived during the first century BCE, in a time of war and imperial expansion that was rife with political assassinations and bribery, as the old world gave way to the new.\u003c\/p\u003e\u003cp\u003ePortraying Herod within this vivid and dynamic world of antiquity, little known to modern readers, Hurston's unfinished manuscript brings this complex, compelling, and misunderstood leader fully into focus. 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Hurston believed in the transformative power of storytelling, and she took risks with sentiment that few contemporary writers are prepared to make.\"--Zadie Smith\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOriginally published in 1937, \u003cem\u003eTheir Eyes Were Watching God\u003c\/em\u003e has become one of the most important and enduring works of modern American literature. 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Then I have stood on the peaky mountain wrapped in rainbows with a harp and a sword in my hands.\" \u003cp\u003e First published in 1942 at the crest of her popularity, this is Zora Neale Hurston's unrestrained account of her rise from childhood poverty in the rural South to prominence among the leading artists and intellectuals of the Harlem Renaissance. Full of wit and wisdom, and audaciously spirited, \"Dust Tracks on a Road\" offers a rare, poignant glimpse of the life -- public and private -- of a premier African-American writer, artist, anthropologist and champion of the black heritage.\"Warm, witty, imaginative, and down-to-earth by turns, this is a rich and winning book by one of our genuine, Grade A, folk writers.\" \"--The New Yorker\"\u003c\/p\u003e","brand":"Amistad Press","offers":[{"title":"Default Title","offer_id":51938280046877,"sku":"9780060854089","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_a0e11fe8-da1f-49db-ba84-715b2d7b2660.jpg?v=1782770618"},{"product_id":"barracoon-adapted-for-young-readers-1","title":"Barracoon: Adapted for Young Readers","description":"\u003cp\u003e\u003cstrong\u003eAn Instant \u003cem\u003eNew York Times\u003c\/em\u003e and Indie Bestseller!\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn the first middle grade offering from Zora Neale Hurston and Ibram X. 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With powerful illustrations by Jazzmen Lee-Johnson, this poignant work is an invaluable contribution to our shared history and culture.\u003c\/p\u003e","brand":"Amistad Books for Young Readers","offers":[{"title":"Default Title","offer_id":51938280112413,"sku":"9780063098343","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_41ad27ef-9215-4f2f-b358-0bd3ec85421a.jpg?v=1782770621"},{"product_id":"hitting-a-straight-lick-with-a-crooked-stick-stories-from-the-harlem-renaissance","title":"Hitting a Straight Lick with a Crooked Stick: Stories from the Harlem Renaissance","description":"\u003cp\u003e\u003cstrong\u003eFrom \"one of the greatest writers of our time\" (Toni Morrison)--the author of \u003cem\u003eBarracoon\u003c\/em\u003e and \u003cem\u003eTheir Eyes Were Watching God\u003c\/em\u003e--a collection of remarkable stories, including eight \"lost\" Harlem Renaissance tales now available to a wide audience for the first time.\u003c\/strong\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eNew York Times' Books\u003cbr\u003eto Watch for\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eBuzzfeed's\u003cbr\u003eMost Anticipated Books\u003cp\u003e\u003cbr\u003eNewsweek's\u003cbr\u003eMost Anticipated Books\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eForbes.com's\u003cbr\u003eMost Anticipated Books\u003cp\u003e\u003cbr\u003eE!'s\u003cbr\u003eTop Books to Read\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eGlamour's\u003cbr\u003eBest Books \u003cp\u003e\u003cstrong\u003eEssence's Best\u003cbr\u003eBooks by Black Authors\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 1925, Barnard student Zora Neale Hurston--the sole black student at the college--was living in New York, \"desperately striving for a toe-hold on the world.\" During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eHitting a Straight Lick with a Crooked Stick\u003c\/em\u003e is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston's \"lost\" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston's world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer's voice and her contributions to America's literary traditions.\u003c\/p\u003e","brand":"Amistad Press","offers":[{"title":"Default Title","offer_id":51938280177949,"sku":"9780062915801","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_2d1de6b8-87f7-42a6-aa26-e612469167ed.jpg?v=1782770625"},{"product_id":"cudjos-own-story-of-the-last-african-slaver","title":"Cudjo's Own Story of the Last African Slaver","description":"\u003cp\u003e2022 Hardcover Reprint of the 1927 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Roughly 60 years after the abolition of slavery, anthropologist Zora Neale Hurston made an incredible connection: She located one of the last surviving captives of the last slave ship to bring Africans to the United States. Hurston, a known figure of the Harlem Renaissance who would later write the novel Their Eyes Were Watching God, conducted interviews with the survivor but struggled to publish them as a book in the early 1930s. In fact, they were only released to the public in a book called Barracoon: The Story of the Last \"Black Cargo\" that came out on May 8, 2018. Reprinted here is the original article outlining Hurston's discovery. It is also, perhaps, Hurston's first published work. 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As a pivotal voice in African American fiction and American literature, Hurston masterfully crafts narratives that capture the essence of community, folklore, and the everyday experiences within African American culture. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\"The Eatonville anthology\" is a vital contribution to American letters, offering a rich tapestry of American short stories that remain as resonant today as when they were first penned. This meticulously prepared print edition showcases Hurston's unparalleled skill in storytelling, presenting an enduring testament to her profound understanding of human nature, community dynamics, and the unique spirit of her characters. Discover the depth and humor embedded in these tales, and the indelible mark left by one of American literature's most cherished authors. This compelling anthology is an essential read for anyone interested in the enduring legacy of African American and American fiction.\u003cp\u003eThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.\u003c\/p\u003e\u003cp\u003eThis work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.\u003c\/p\u003e\u003cp\u003eScholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.\u003c\/p\u003e","brand":"Anson Street Press","offers":[{"title":"Default Title","offer_id":51938280374557,"sku":"9781025235929","price":13.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_b8589eed-092b-46d8-a5d1-0a0c76fd214f.jpg?v=1782770634"},{"product_id":"the-mule-bone","title":"The Mule-Bone","description":"\u003cp\u003eMule Bone: A Comedy of Negro Life is a 1930 play by American authors Langston Hughes and Zora Neale Hurston. The process of writing the play led Hughes and Hurston, who had been close friends, to sever their relationship. Mule Bone was not staged until 1991, when it was produced in New York City by the Lincoln Center Theater. \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe play begins in Eatonville, Florida, on a Saturday afternoon with Jim and Dave fighting for Daisy's affection. The two men come to blows, and Jim picks up a hock bone from a mule and knocks Dave out. Jim is arrested and held for trial in Joe Clarke's barn.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOn Monday, the trial begins in the Macedonia Baptist Church. The townspeople are divided along religious lines: Jim's Methodist supporters sit on one side of the church, Dave's Baptist supporters on the other. The issue to be decided at the trial is whether or not Jim has committed a crime. Jim admits he hit Dave but denies it was a crime. Elder Simms argues on Jim's behalf that a weapon is necessary to commit a crime, and nowhere in the Bible does it say a mule bone is a weapon. Elder Childers, representing Dave, says Samson used a donkey's jawbone to kill 3,000 men (citing Judges 18:18), so the hock bone of a mule must be even more powerful. Joe Clarke declares Jim guilty and banishes him from town for two years.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAct III takes place some time later, with Daisy encountering Jim outside of town. She tells him she's been worried about him, but he's skeptical. She demonstrates the sincerity of her affection and Dave comes upon the couple. The two men engage in a war of words to try to show which of them loves Daisy more. The contest ends when it becomes clear that Daisy expects her man to work for the white people who employ her. Jim and Dave are reconciled, and neither remains interested in courting Daisy. The two men return to Eatonville. \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMule Bone was produced for the first time in 1991 by the Lincoln Center Theater, more than 60 years after it was written. It opened at the Ethel Barrymore Theatre on Broadway on February 14, 1991, to generally negative reviews.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eReviewing Mule Bone for The New York Times, Frank Rich wrote that it was \"an evening that can most kindly be described as innocuous\". He described it as a \"broad, often bland quasi-musical\". Also writing in The New York Times, David Richards said of Mule Bone: \"it's just not a very good play.\" Both critics suggested the play might have been much better had Hughes and Hurston finished their collaboration.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe production closed on April 14, 1991, after 68 performances. 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Rooted in Black folk culture and community life, these plays explore themes of rivalry, social status, pride, and human connection through lively conversation and dramatic tension.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHurston's theatrical writing reflects her deep engagement with folklore and oral tradition, transforming everyday interactions into compelling stage performances. These plays offer valuable insight into early twentieth-century African American theater and highlight Hurston's versatility as a writer beyond fiction and anthropology.\u003c\/p\u003e\u003cp\u003eThis volume is ideal for readers, students, and performers interested in African American drama, Harlem Renaissance literature, folk expression, and culturally grounded theatrical works.\u003c\/p\u003e","brand":"Btb Publishing","offers":[{"title":"Default Title","offer_id":51938280505629,"sku":"9781636523521","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_82bf6ccf-4693-4a34-afed-1bd7f23405d7.jpg?v=1782770640"},{"product_id":"cudjo-the-last-african-slaver","title":"Cudjo: The Last African Slaver","description":"\u003cp\u003e\u003cem\u003eCudjo: The Last African Slaver\u003c\/em\u003e by Zora Neale Hurston presents a powerful narrative centered on one of the final known survivors of the transatlantic slave trade. Based on interviews and oral history, Hurston records the life story of Cudjo, who was captured in Africa, transported to the United States, and forced into enslavement before eventually gaining freedom.\u003c\/p\u003e\u003cp\u003eWritten with Hurston's distinctive voice and deep respect for lived experience, the book preserves cultural memory while documenting the human consequences of slavery and displacement. It offers readers rare insight into African heritage, survival, and identity through firsthand testimony, bridging history, anthropology, and personal narrative.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis work is essential for readers interested in African American history, slavery studies, oral history, and the preservation of voices often excluded from traditional historical records.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Black Legacy Press","offers":[{"title":"Default Title","offer_id":51938280571165,"sku":"9781636521763","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_87451ef8-8604-45fc-96d4-ca55bbfb9e49.jpg?v=1782770643"},{"product_id":"spunk-sweat-two-short-stories-including-the-introductory-essay-a-brief-history-of-the-harlem-renaissance","title":"Spunk \u0026 Sweat - Two Short Stories;Including the Introductory Essay 'A Brief History of the Harlem Renaissance'","description":"\u003cp\u003e\u003cb\u003eFrom the prolific Harlem Renaissance writer Zora Neale Hurston, 'Spunk' and 'Sweat' are thought-provoking short stories set in the heart of African-American communities following the civil war.\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e'Spunk', first published in 1925, is set in an all-Black community in rural America and poses the question of whether moral strength is more powerful than physical strength. Spunk Banks is described as a 'giant'. He is unafraid of anything or anyone, but when he openly flaunts his affair with Lena Kanty, Joe Kanty's wife, could it be his superstition rather than a physical weakness that is his downfall?\u003c\/p\u003e \u003cp\u003e'Sweat', first published in 1926, is an early feminist story, presenting the contrasting lives of a married couple: the sweat and toil of Delia and the leisure and privilege of her abusive husband, Sykes. When it becomes apparent that both want their relationship to end, Sykes appears to be willing to go to horrific measures to ensure Delia is out of his life for good.\u003c\/p\u003e \u003cp\u003eZora Neale Hurston explores themes of fortitude, integrity, and early intersectional feminism. Portraying contemporary issues in the everyday lives of Black people, Hurston was an important literary figure in the Harlem Renaissance.\u003c\/p\u003e \u003cp\u003eThis collection has been published together with an introductory essay on the Harlem Renaissance and would make a wonderful addition to the bookshelves of Zora Neale Hurston fans.\u003c\/p\u003e","brand":"Read \u0026 Co. 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He is unafraid of anything and when he openly flaunts his affair with Lena Kanty, Joe Kanty's wife, the other men in the neighbourhood are afraid to confront him. Word of the affair gets back to Joe, who decides to threaten Spunk with a razor. Undeterred, Spunk shoots Joe dead and moves in with his widow. But when a bobcat begins to circle their house, Spunk becomes convinced that Joe has returned from the dead to avenge him.\u003c\/p\u003e \u003cp\u003eZora Neale Hurston's short story was published in the \u003ci\u003eOpportunity, A Journal of Negro Life\u003c\/i\u003e in 1925, and later won second place in the journal's fiction writing contest. 'Spunk' was also selected for publication in \u003ci\u003eThe New Negro\u003c\/i\u003e, helping to secure Hurston's successful career as a writer.\u003c\/p\u003e \u003cp\u003eNow in a brand new pocket-sized edition featuring an introductory essay on the Harlem Renaissance, 'Spunk' would make the perfect read for fans of short stories and Hurston's work.\u003c\/p\u003e","brand":"Read \u0026 Co. 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Here we see the roots of that work, from the wonderful folktale of the monstrous alligator living in a local lake to her recording of folk songs to her work on children's games and the black church. There are also fiery and controversial essays on race and the work of black artists. In a biographical essay, Pamala Bordelon, with the help of Hurston's niece, has re-created the years during which Hurston was working for the FWP and living in Eatonville. She has put together the portrait of a serious writer and folklorist who was running tight on money, but big on spirit. This book is an important new addition to Hurston's work.","brand":"W. W. 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They believed that a socialist society was the only one that would be free from racism. \u003cp\u003e\u003c\/p\u003eThe socialist ideology of\u003ci\u003e The Messenger\u003c\/i\u003e \"the only magazine of scientific radicalism in the world published by Negroes,\" was reflected in the pieces and authors published in its pages. \u003ci\u003eThe Messenger Reader \u003c\/i\u003econtains poetry, stories, and essays from Paul Robeson, Zora Neale Hurston, Wallace Thurman, and Dorothy West. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eThe Messenger Reader\u003c\/i\u003e, will be a welcome addition to the critically acclaimed Modern Library Harlem Renaissance series.","brand":"Modern Library","offers":[{"title":"Default Title","offer_id":51938280931613,"sku":"9780375755392","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_c800a701-e482-481f-9bed-0bb15e89138c.jpg?v=1782770661"},{"product_id":"how-it-feels-to-be-colored-me","title":"How it feels to be colored me","description":"\u003cp\u003e\u003cem\u003eHow It Feels to Be Colored Me\u003c\/em\u003e by Zora Neale Hurston is a powerful personal essay exploring identity, race, and self-awareness in early twentieth-century America. Written with wit, confidence, and clarity, Hurston reflects on her experiences growing up Black and articulates a perspective rooted in individuality rather than victimhood.\u003c\/p\u003e\u003cp\u003eThe essay challenges prevailing narratives of racial identity by emphasizing self-definition, cultural pride, and personal agency. Hurston's distinctive voice and insight make this work a cornerstone of African American literature and a vital contribution to discussions of race, culture, and identity.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis book is ideal for readers interested in African American literature, personal essays, the Harlem Renaissance, cultural identity, and social history.\u003c\/p\u003e","brand":"Btb Publishing","offers":[{"title":"Default Title","offer_id":51938280997149,"sku":"9781636523507","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_cdffb520-61dd-47b7-966d-09d67abc77a1.jpg?v=1782770664"},{"product_id":"cudjos-own-story-of-the-last-african-slavery","title":"Cudjo's Own Story Of The Last African Slavery","description":"\u003cp\u003e2020 Reprint of the 1927 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Roughly 60 years after the abolition of slavery, anthropologist Zora Neale Hurston made an incredible connection: She located one of the last surviving captives of the last slave ship to bring Africans to the United States. Hurston, a known figure of the Harlem Renaissance who would later write the novel \u003cem\u003eTheir Eyes Were Watching God\u003c\/em\u003e, conducted interviews with the survivor but struggled to publish them as a book in the early 1930s. In fact, they were only released to the public in a book called Barracoon: The Story of the Last \"Black Cargo\" that came out on May 8, 2018. Reprinted here is the original article outlining Hurston's discovery. It is also, perhaps, Hurston's first published work. Originally published in \u003cem\u003eThe Journal of Negro History\u003c\/em\u003e, Volume 12, Number 4 October 1, 1927. \u003c\/p\u003e","brand":"Lushena Books","offers":[{"title":"Default Title","offer_id":51938281062685,"sku":"9781639230259","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_9789b292-3182-46f8-9014-631079d956cb.jpg?v=1782770668"},{"product_id":"cudjos-own-story-of-the-last-african-slavery-hardcover","title":"Cudjo's Own Story Of The Last African Slavery Hardcover","description":"\u003cp\u003e2020 Reprint of the 1927 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Roughly 60 years after the abolition of slavery, anthropologist Zora Neale Hurston made an incredible connection: She located one of the last surviving captives of the last slave ship to bring Africans to the United States. Hurston, a known figure of the Harlem Renaissance who would later write the novel \u003cem\u003eTheir Eyes Were Watching God\u003c\/em\u003e, conducted interviews with the survivor but struggled to publish them as a book in the early 1930s. In fact, they were only released to the public in a book called Barracoon: The Story of the Last \"Black Cargo\" that came out on May 8, 2018. Reprinted here is the original article outlining Hurston's discovery. It is also, perhaps, Hurston's first published work. Originally published in \u003cem\u003eThe Journal of Negro History\u003c\/em\u003e, Volume 12, Number 4 October 1, 1927. \u003c\/p\u003e","brand":"Lushena Books Inc","offers":[{"title":"Default Title","offer_id":51938281128221,"sku":"9781639232482","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_d6b957f3-0c1b-43a2-987f-d443ba6c211f.jpg?v=1782770671"},{"product_id":"hitting-a-straight-lick-with-a-crooked-stick-stories-from-the-harlem-renaissance-1","title":"Hitting a Straight Lick with a Crooked Stick: Stories from the Harlem Renaissance","description":"\u003cp\u003e\u003cstrong\u003eFrom \"one of the greatest writers of our time\" (Toni Morrison)--the author of \u003cem\u003eBarracoon\u003c\/em\u003e and \u003cem\u003eTheir Eyes Were Watching God\u003c\/em\u003e--a collection of remarkable stories, including eight \"lost\" Harlem Renaissance tales now available to a wide audience for the first time.\u003c\/strong\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eNew York Times' Books\u003cbr\u003eto Watch for\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eBuzzfeed's\u003cbr\u003eMost Anticipated Books\u003cp\u003e\u003cbr\u003eNewsweek's\u003cbr\u003eMost Anticipated Books\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eForbes.com's\u003cbr\u003eMost Anticipated Books\u003cp\u003e\u003cbr\u003eE!'s\u003cbr\u003eTop Books to Read\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eGlamour's\u003cbr\u003eBest Books \u003cp\u003e\u003cstrong\u003eEssence's Best\u003cbr\u003eBooks by Black Authors\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 1925, Barnard student Zora Neale Hurston--the sole black student at the college--was living in New York, \"desperately striving for a toe-hold on the world.\" During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eHitting a Straight Lick with a Crooked Stick\u003c\/em\u003e is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston's \"lost\" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston's world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer's voice and her contributions to America's literary traditions.\u003c\/p\u003e","brand":"Amistad Press","offers":[{"title":"Default Title","offer_id":51938281193757,"sku":"9780062915795","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_a708f9c7-39c8-491c-953a-ab90759727ec.jpg?v=1782770676"},{"product_id":"cudjos-own-story-of-the-last-african-slaver-1","title":"Cudjo's Own Story of the Last African Slaver","description":"\u003cp\u003e2020 Reprint of the 1927 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Roughly 60 years after the abolition of slavery, anthropologist Zora Neale Hurston made an incredible connection: She located one of the last surviving captives of the last slave ship to bring Africans to the United States. 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Through it all, I remain myself. This short work is part of Applewood's American Roots series, tactile mementos of American passions by some of America's most famous writers and thinkers.","brand":"Applewood Books","offers":[{"title":"Default Title","offer_id":51938281488669,"sku":"9781429096171","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_111472f5-401a-4828-ba9d-021e1debc9cc.jpg?v=1782770684"},{"product_id":"mule-bone-a-comedy-of-negro-life","title":"Mule Bone: A Comedy of Negro Life","description":"\u003cp\u003e\u003cstrong\u003eThe only collaboration between the two brightest lights of the Harlem Renaissance--Zora Neale Hurston and Langston Hughes\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 1930, two giants of African American literature joined forces to create a lively, insightful, often wildly farcical look inside a rural Southern black community--the three-act play \u003cem\u003eMule Bone\u003c\/em\u003e. In this hilarious story, Jim and Dave are a struggling song-and-dance team, and when a woman comes between them, chaos ensues in their tiny Florida hometown. This extraordinary theatrical work broke new ground while triggering a bitter controversy between the collaborators that kept it out of the public eye for sixty years.\u003c\/p\u003e\u003cp\u003eThis edition of the rarely seen stage classic features Hurston's original short story, \"The Bone of Contention,\" as well as the complete recounting of the acrimonious literary dispute that prevented \u003cem\u003eMule Bone\u003c\/em\u003e from being produced or published until decades after the authors' deaths.\u003c\/p\u003e","brand":"Amistad Press","offers":[{"title":"Default Title","offer_id":51938281554205,"sku":"9780061651120","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/1259\/2413\/files\/imageloader_121bc3dd-849c-4b50-a02a-88ba4d27824c.jpg?v=1782770687"}],"url":"https:\/\/revelationsbooks.com\/collections\/zora-neal-hurston.oembed","provider":"Revelations Books and Treasures LLC","version":"1.0","type":"link"}